The gains illustrate how fundamental design choices compound: batching amortizes async overhead, pull semantics eliminate intermediate buffering, and the freedom for implementations to use synchronous fast paths when data is available immediately all contribute.
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On top of that, we can get two full pixels of color using foreground and background colors. If we render an upper block with a foreground color of cyan and a background color of red, we get a cyan pixel sitting on top of a red pixel!
No one makes a hangout movie like Jim Jarmusch. From his feature-length debut Permanent Vacation onward, the American writer/director has woven his affinity for intimate settings and observational humor with various flourishes. Only Lovers Left Alive gave us vampires lounging around a rotting Detroit. The Dead Don't Die offered ghouls with the energy and desires of a late-night hang, craving coffee and chardonnay (and brains). Now, FATHER MOTHER SISTER BROTHER offers the familiar family hang — one that's authentically awkward, funny, and tragic.